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Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are EPs. Stay up to date with our essential dispatches for design professionals. Know of a home for sale or rent that should be featured on Dwell.com? Perched on a verdant 9,796-square-foot lot, the home is neighbored by a three-bedroom, two-bath guesthouse, which was built in 1970 and is also included in the sale.
The Wolf House Explained: A Hallucinatory Dive into Chile’s Dark Past
The 73-minute feature is a labor of love from León and Cociña, who worked for years and in many different countries to see their vision come to life, according to press notes. The two filmmakers relied on their shared cultural and personal history, both having grown up in Chile. They have been working together since 2007, and, although this is their first feature-length, the directorial duo have had their short films and work exhibited at festivals and museums for a number of years.
Wolff House
Sign up for our free newsletters to get the latest art news, reviews, and opinions from Hyperallergic. Due to the mass amount of misinformation and secrecy surrounding much of Pinochet’s rule, the full extent of Colonia Dignidad’s atrocities aren’t really known. It’s thought that hundreds were murdered there, but it’s still debated. Schäfer’s level of involvement and cooperation is still mostly unknown. As the years went on, the Colonia grew and Schäfer became more like a cult leader.
Morgan Freeman Spoofs Nicole Kidman's Viral AMC Spot At AFI Life Achievement Award Gala
María ignores the wolf's repeated attempts to tempt her back to the Colony and denies its description of the house as a new kind of cage. Lautner designed the home around multiple native trees, allowing the space to feel firmly grounded in nature. The organic features contrast with carefully integrated uses of stone, glass, and copper. This magnificent home was designed and built by John Lautner in 1961.
She flees through the woods and finds a house where the entirety of the stop-motion takes place. The lack of conventional edits makes us feel all the more entrapped, as new sequences begin only when we enter a new room or the frame of a portrait. When Maria first enters the house, we seem to be viewing the space from her perspective—that is, until she materializes in painted form on the wall before coming to life as a puppet comprised of paper, cardboard and masking tape. This European style house has a luxurious interior design and has a spectacular view of the city lights of American.
The fairytale of a movie, the first feature-length for León and Cociña, tells the story of Maria, a young woman who has recently escaped from Colonia Dignidad. She seeks shelter in a house with two farm animals, but soon enough her nightmares reemerge — this time in a more supernatural way. The story here, such as it is, is less of a linear fairy tale with a tidy morale at the end than an oozing transference of concern from Maria to her kids.
An Animated Horror Film Dredges a Disturbing Chilean History
“I will teach you everything I know.” Even at this early juncture those words land on your ears like the gravest of threats, and their echoes only grow louder as the characters dematerialize and reassemble. The shifting interior of the building takes shape before our eyes, only to mutate every time we look at it. A physical wooden door opens into a blank room where two-dimensional furniture is being drawn on the walls as Maria watches it take shape. A window pane seems to resemble a swastika for a moment before it turns into a square, but that must be your mind playing tricks on you. Cociña and León brilliantly portray the ever-evolving nature of dreams, continuously switching up the look of their world and the perspective from which we view it, thereby magnifying the falsity of the truth it preaches.
Wolfhouse in Newburgh, New York - Travel + Leisure
Wolfhouse in Newburgh, New York.
Posted: Thu, 14 Sep 2023 07:00:00 GMT [source]
The walls, perpendicular to the slope, stand like a rock over the mountain, adapting to the environment. They are built in zigzag and resistant not only to landslides, earthquakes also common in the area. The trees continue to grow on both sides of the bedrooms and terraces of the living room, in some cases between the glass and the structure as above the deck. London hired San Francisco architect Albert L. Farr to design the home. Farr was a leading exponent of Arts and Crafts architecture in California.
It was impressive to see what the property would have looked like. Now, his mural for the public school’s library will go on display for the first time. Graduates of the Massachusetts College of Art and Design showcase their thesis work on campus and at the MassArt x SoWa Gallery, with public artist talks and screening on May 10. Multicolored tents, protest art, and an enormous display of hand-painted canvas banners express CUNY student and faculty support for Palestine.
Men and women were separated from one another, and all members of the Colonia were forced to confess their sins to the almighty Schäfer. Those who ended up leaving the Colonia spoke about it as a place of authoritarian rule and severe isolationist principles. Unsurprisingly, many also reported incidents of torture and abuse. The Wolf House is on the JustWatch Daily Streaming Charts today.
Under the Pinochet dictatorship ( ), it was converted into a detention center where dissidents were tortured and killed. This grim history forms the backdrop for Cristóbal León and Joaquín Cociña’s animated film The Wolf House, which utilizes stop-motion to conjure a level of surreal grotesqueness that would make Jan Švankmajer blush. That’s because the breathtaking yet abstract artistry of “The Wolf House” feels so strikingly unique.
Even Maria herself is altered and cracked open a number of times, as her image sways between a tree and a chirpy yellow bird. María, an idle and irresponsible girl living in the isolated Colony, flees into the woods rather than face the community's punishment for failing to contribute. She narrowly escapes a pursuing wolf by taking refuge in an abandoned house. The house plant shows small terraces at different levels, located between the panes of window walls and stone walls. Each of these carries a main living terraces, as the living room.
But, despite Maria’s goals, the house is quite similar to the Colonia Dignidad. But, in the end, the wolf is revealed to not be exactly what he seems. When he “eats” Maria’s pig-children (yuck), they are actually just turned into trees. This idea of non-literal consumption suggests that the wolf isn’t literal either, instead just acting as a symbol of something less physical that largely exists in the minds of Maria and her children. The first era of Colonia Dignidad began when Paul Schäfer, a German man accused of child molestation, moved to Chile in 1961 with the goal of abandoning his past and creating a perfect commune focused on agriculture, spirituality, and purity.
Maria’s memory of the guilt she felt when luring animals into a hole in the ground, a task that results in her being rewarded by a satisfied tree, could very well represent the graves of Pinochet’s dissidents. The flowers that subsequently bloom from the soil later spring from the house’s walls—and even a stigmata—when Maria nurses her two adopted children to health, thanks to the healing power of the Colony’s magical honey (which also supposedly triggers the growth of blonde hair). Barely anything of plot-related consequence needs to be occurring onscreen in order for our fascination to be sustained by the sheer unpredictability of the visuals. At any second, Maria could devolve into the upholstery of her chair or be rendered a colorless shell as the painted texture of her soul drifts from her body onto a nearby surface. The film follows “La Jauría” star Antonia Giesen as she plays a version of herself, an actress and psychologist whose tortured patient (Francisco Visceral Rivera) is overwhelmed by the voices of a long-dead Nazi poet, Miguel Serrano. The charge scripts his encounters, and Antonia enlists creatives León & Cociña to help her bring the narrative to life, unaware that a plot to lure her further into its warped, abstract history lesson is afoot.
They want to showcase the found media to dispel rumors that have circulated about the group, but as we soon see, it’s really propaganda to discourage people from ever fleeing. Despite its reputation among outsiders for tired tropes and repeated story lines, horror is constantly reinventing itself. For every new iteration of Scream or The Conjuring, there’s a movie released into the underground that threatens to completely upend everything we know about horror. These films sometimes go onto become cult classics; other times they’re forgotten.
In a permanent loop of hallucinatory action aided by eerie sounds and musical cues, the duo recurrently establishes their own aesthetic reality, only to abandon and redefine it seconds later with jaw-dropping inventiveness. As both handmade puppet-like figures and animated drawings, pigs materialize from the floorboards of Maria’s house, but turn into a pair of kids with animal limbs later. Equal parts stage play, performance art and expressionist sci-fi cinematic experience, “The Hyperboreans” presents an ambitiously singular sensory overhaul. The cozy and private space features ample built-in, copper-wrapped seating.
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